Carlos Alomar and Nile Rodgers, former collaborators with David Bowie, recently commented on the latter's work habits during his creative heyday. “In order for him to stay up all night and finish the tasks at hand, it (cocaine) was a huge factor. Its function was to keep you alert, and that’s what he was doing. It did not stop his creativity at all.” Alomar admitted that it occasionally affected their concerts. If Bowie forgot a lyric, it fell to Alomar to pick up the lead vocal until Bowie could find his place in the song. Bowie gave up drugs in the late ’70s, but by then they had already done some permanent damage. Rodgers, the Chic mastermind who produced Bowie’s smash hit 1983 album, ‘Let’s Dance,’ said, “He told me there are years of his life that he doesn’t remember. He said, ‘I know that’s me singing, I know that’s my record and my picture, but I don’t remember writing the songs, I don’t remember going into the studio.’”
Bowie came to the public's attention in 1969 when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie challenged rock music conventions of his time and created the largest cult in popular culture. But in true creative fashion, Ziggy was only one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.
In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album Young Americans, which Bowie himself characterized as "plastic soul". The radical shift in style initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album Low (1977)—the first of three collaborations with Brian Eno over the next two years. Low, "Heroes", and Lodger, the so-called "Berlin Trilogy" albums, all reached the UK top five and received lasting critical praise. In the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He then reached a new commercial peak in 1983 with Let's Dance, which yielded several hit singles. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. Bowie's latest studio album The Next Day was released in March 2013.
(thanks to http://ultimateclassicrock.com/david-bowie-cocaine/?trackback=tsmclip and wikipedia.com)
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak
My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
You were always a crack-shot. You were always the ace. Someone called you a crackpot. Said it right to your face. It was not the effrontery that made you react; the assault or the violation of rights. In this wonderful country, you and I live today. And we value the freedom that allows us to say, though the founders had principles (this can't be denied), nothing's frozen in time but history. Who can really sing 'bout what the future brings? Take the next shuttle, go off to your condo on Mars. Don't take your guns to space. They've done sufficient damage to this place. Don't take your guns to space.
It's a volatile topic I'm addressing today. But I fear to ignore it leaves for us hell to pay. All the hunters and gatherers kick up such a stink. Where this path's gonna lead they dare not think. We continue to venture into places unknown. All this knowledge and progress takes us so far from home. Many say that you must accept the good with the bad. Seems to me that experience would show some things from the past just don't deserve to last. Take that next step and leave all useless baggage behind. Don't take your guns to space. They've done sufficient damage to this place. Don't take your guns to space.
Our sophistication in the arts and sciences can't be denied. Still we choose our tribal ways when there's fear and uncertainty and we can't hide. It's true and tried.
But you still fail to grasp it, like some new cosmic star. Using force laced with habit, you're resisting so hard. You say you got the word from some king high on his throne. But mysteriously each word he speaks in that kingly tone, mighty but all alone, uncannily somehow sounds just like all of your own. Don't take your guns to space. They've done sufficient damage to this place. Don't take your guns to space.
