. . . working out improvisations on a V and I pattern to be contained within 'Crystal Ball', an elementary rockn' roll progression in a major key, sometimes a most difficult one in which to find stimulating ideas . . .
Other Ray Jozwiak Offerings
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/Artist/RayJozwiak)
(based upon https://www.quora.com/How-do-recording-artists-decide-on-the-order-of-the-songs-on-their-CDs)
There isn't a rule of thumb , but there is planning. Look at it as a Classical concert, grouping songs in "moods", then intentionally create longer pauses between the groups.
When Lou Reed was ordering the tracks on New York. He struggled to find the right musical and topical arc until someone suggested he put them in the order in which they were recorded. In that order, the tracks told the story he was hoping for. Y
In a traditional pop context, records were sequenced with the hits or prospective singles "up front" - typically the lead single would be the first song and the other expected singles would follow to round out the first side.
Some try to make sure that successive songs are not in the same key.
The number one track (and usually the last) are the 'great' tracks that leave an impression.
If it's a concept album that tells a story through the songs, then the order is pretty much fixed to begin with. If it is just a collection of singles, they might look at the dynamics - try and mix up the heavy and the soft, the fast and the slow, etc.
Put a lot of thought into the order of the songs to create a good “flow” and the best overall listening experience from start to finish. Open with a song that represents your overall sound fairly well, and break up the “mood” every 3 songs or so.
The whole process is just about placing familiar tracks somewhere in the middle, intros and soon to be released tracks at the beginning and the less appealing at the end - it's about fluidity and using the songs at the beginning as singles as they help sell the album.
It's given a lot less thought than it used to. Nowadays most albums are bought online and when you download it you can put it in any order you want. If you are like me you will put your favourites first and the fillers at the end. Another thing to come into it is the shuffle mode on most players nowadays.
To the one with the key can this thing be known
She’s in tune and in time and she sings with tone
Back to the truth of her core
Back where she waits evermore to shine
Night of vast silence held in suspense
Hints at the content the sense and tense
There in the beam of her moon
Inspiring just the right loon for tunes
Gravitate to the place where no one but you
Believes that it’s holy
Spin around and around until you fall down
Because you’re so dizzy
Spitting into the face of the fate you’d escape
By loving ascension
Older than death closer than breath
Before there were symbols and sounds
How to unstick from the fix you’re in?
With your ear to the sky call the voice of the wind
Gathering kernels and seeds
Forming silk furrows where they’ll be sown
Recalling in keenness of mind
A word that is older than thought and time
Discovering fire again
In a thunderbolt sent through a pen
Pure word
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
. . . or some revision? . . . just one more step in the process. . . there will be more to bring the piece to its full realization . . . (stay tuned) . . .
What do I know about happiness
Do I possess some kind of key
To things that no one else can see
Just as far back as my memory goes
Sometimes it seemed I was alone
Only my point of view and me
As I reflect
Some disconnect
Could be afflicting me
Am I just one
Under the sun
Or am I quite unique
Others speak out very easily
No fear about who may get hurt
By words so hastily dispensed
For some reason I step back away
I hesitate to be so bold as to
Presume some insight gained
As I reflect
Some disconnect
Could be afflicting me
Am I just one
Under the sun
Or am I quite unique
Unique
by OHO (Jay Graboski, David Reeve & Ray Jozwiak) with special guests Lisa Griffee (vocal) and Bruce Kovacs (French horn)
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music will be released April 7, 2014 Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
. . . about happiness
Do I possess
Some kind of key to things that
No one else can see
Just as far back
As my memory goes
Sometimes it seemed
I was alone
Only my point of view
And me
As I reflect
Some disconnect
Could be afflicting me
Am I just one
Under the sun
Or am I quite unique
Others speak out
Very easily
No fear about
Who may get hurt
By words so hastily dispensed
For some reason
I step back away
I hesitate
To be so bold
As to presume some
Insight gained
As I reflect
Some disconnect
Could be afflicting me
Am I just one
Under the sun
Or am I quite unique
Unique
[9/24/2014 Bratt Studio Recording (by Gentleman, scholar, musician and recording technician extraordinaire, Bill Pratt)
by OHO - Jay Graboski, David Reeve and Ray Jozwiak and guest artist Bruce Kovacs on French Horn]
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak
My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
From Captain Beefheart's (Don Van Vliet) "10 On Guitar". . .
1. Listen to the birds.
That's where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren't going anywhere.
2. Your guitar is not really a guitar Your guitar is a divining rod.
Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you're good, you'll land a big one.
3. Practice in front of a bush
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn't shake, eat another piece of bread.
4. Walk with the devil
Old Delta blues players referred to guitar amplifiers as the "devil box." And they were right. You have to be an equal opportunity employer in terms of who you're bringing over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.
5. If you're guilty of thinking, you're out
If your brain is part of the process, you're missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.
6. Never point your guitar at anyone
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.
7. Always carry a church key
That's your key-man clause. Like One String Sam. He's one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song "I Need a Hundred Dollars" is warm pie. Another key to the church is Hubert Sumlin, Howlin' Wolf's guitar player. He just stands there like the Statue of Liberty-making you want to look up her dress the whole time to see how he's doing it.
8. Don't wipe the sweat off your instrument
You need that stink on there. Then you have to get that stink onto your music.
9. Keep your guitar in a dark place
When you're not playing your guitar, cover it and keep it in a dark place. If you don't play your guitar for more than a day, be sure you put a saucer of water in with it.
10. You gotta have a hood for your engine
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can't escape. Even a lima bean has to have a piece of wet paper around it to make it grow.
What
do YOU think?
http://www.rayjozwiak.com/guestbook.html
AAAAANNNNNDDDDD. . . . .
My latest release, Black & White Then Back,
can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak3)
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