Showing posts with label cajun. Show all posts
Showing posts with label cajun. Show all posts

Monday, September 14, 2015

The Past . . .


(from https://en.wikipedia.org/wiki/Bourbon_Street)
". . . The French claimed Louisiana as a colony in the 1690s. Jean Baptiste Le Moyne de Bienville was appointed as Director General in charge of developing a colony in the territory. He founded New Orleans in 1718. In 1721, the royal engineer, Adrien de Pauger designed the city's street layout. He named the streets after French royal houses and Catholic saints. Bourbon Street paid homage to France's ruling family, the House of Bourbon. . ."


(from http://www.langloisnola.com/creole-cajun-history/)
". . . The Acadians – Frenchmen who settled in “Acadie,” the wilds of Nova Scotia – were forcibly driven out of Canada in 1755 by the British and shipped off to regions as disparate as Massachusetts, the West Indies, and Uruguay. This exile was called Le Grande Derangement (“the great trouble”). After returning to France, one of the largest groups of exiles landed on the shores of South Louisiana. Over time, more waves of Acadians reunited with fellow refugees, and they became known as “Cajuns.” Acadians were hunters, farmers, and fishermen well-versed in the art of living off the land. They were given land grants upriver from New Orleans and moved into the swamps, bayous, and prairies of Louisiana to start farms and ranches. . . . "


But that's all in the past. . .






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Friday, February 15, 2013

Ragin'. . .

(from allmusic.com)
". . . 1969 was a pivotal year in the musical career of Doug Kershaw (born Douglas James Kershaw). An appearance on the premier broadcast of The Johnny Cash Show, on June 7, brought him to the attention of his largest audience and led to a contract with Warner Brothers/Seven Arts. Two months later, Kershaw's autobiographical tune, "Louisiana Man," became the first song broadcast back to Earth from the Moon by the astronauts of Apollo 12. Kershaw capped the year with a much-publicized, week-long engagement at the Fillmore East in New York as opening act for Eric Clapton's Derek & the Dominos. While it seemed to many rock and pop fans that Kershaw had appeared out of nowhere, he had already sold more than 18 million copies of the records he had done in the early '60s with his brother, Rusty. "Louisiana Man" had been a Top Ten country hit in 1961 and its follow-up, "Diggy Diggy Lo," had done almost as well. The son of an alligator hunter, Kershaw was the seventh born to a family that eventually included five boys and four girls. Raised in a home where Cajun French was spoken, he didn't learn English until the age of eight. By that time, he had mastered the fiddle, which he played from the age of five, and was on his way to teaching himself to play an amazing 28 instruments. His first gig was at a local bar, the Bucket of Blood, where he was accompanied by his mother on guitar. After teaching his brother Rusty (born Russell; February 2, 1938) to play guitar, he formed a band, the Continental Playboys, with Rusty and older brother Peewee in 1948.

Although they initially sang in French, J.D. Miller, owner of the Feature record label, persuaded them to incorporate songs in English into their repertoire. With the departure of Peewee from the group in the early '50s, Doug and Rusty continued to perform as a duo. The brothers quickly built a solid reputation for their high-energy performances of Cajun two-steps and country ballads. In 1955, they recorded their first single, "So Lovely, Baby." Released on the Hickory label, the tune became a Top Five country hit in August 1955. Shortly afterward, they were invited to become cast members of the Louisiana Hayride, a popular radio show broadcast from Shreveport, LA. In 1957, they recorded a Top 40 country hit, "Love Me to Pieces." They became members of the Grand Ole Opry the following year. Despite the demands of his music career, Doug enrolled in McNeese State University and earned an undergraduate degree in mathematics. At the peak of their early career, in 1958, Doug and Rusty decided to simultaneously enlist in the United States Army. They devoted their attention to the military until their dismissal three years later. Picking up where they left off in February 1961, the two brothers recorded "Louisiana Man," a song Doug had written while in the Army. The song was eventually covered by more than 800 artists. By the time their debut album, Rusty and Doug, was released in July 1964, however, the Kershaw brothers had elected to go their separate ways.
Two Step Fever

It took another three years before Doug signed a songwriter's contract with BMI. Despite the success of his solo career, Kershaw continued to be plagued by depression and sorrow. His father had committed suicide when he was only seven. Until 1984, Kershaw battled drug and alcohol abuse and he became known for erratic behavior. Although he continued to perform and record, his albums of the 1970s failed to duplicate the commercial success of "Louisiana Man" and "Diggy Diggy Lo." In 1981, Kershaw rebounded with his biggest selling hit, "Hello Woman," which reached the country music Top 40. In 1988, he recorded a duet, "Cajun Baby," with Hank Williams, Jr., that became a Top 50 country hit. Marrying his wife, Pam, at the Astro Dome on June 21, 1975, Kershaw began raising his own family, which included five sons -- Douglas, Victor, Zachary, Tyler, and Elijah -- and two grandsons. His son Tyler plays drums in his band. Kershaw released a French-language album, Two Step Fever, in 1999. Michael Doucet of Beausoleil is featured on the duet "Fievre de Deux Etapes." Hot Diggity Doug was released in mid-2000 and Still Cajun After All These Years followed in early 2001. Easy appeared from Cooking Vinyl in 2002. . . "





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Tuesday, July 5, 2011

Gumbo, of sorts. . .

Anyone who was into popular music in the 1970s is aware of the groups, bands and artists who were affected by country and/or southern influences: the Eagles; Poco; Crosby, Stills, Nash & Young (Merrill, Lynch, Pierce, Sacco and Vanzetti-as the Wonderful WINO DJ played by George Carlin would say), the Band; the Nitty Gritty Dirt Band; the Amazing Rhythm Aces; the Charlie Daniels Band; Dr. Hook and the Medicine Show and many others. Funny, I can now appreciate much of the music by all these bands, but like the early jazz critics who said that what Charlie Parker and Dizzy Gillespie were playing was NOISE, I was a country purist. I loved my Merle Haggard, Buck Owens, Roy Clark, George Jones, Tammy Wynette and Johnny Cash unadulterated. I didn't want any 'rock' mixed in with my pure, precious country music. Of course, country influenced rock, Cajun funk and swamp was into country, rock was into New Orleans. . . well you get the picture. And although maybe I just wasn't sophisticated enough to 'get it' at the time, I sure do get it now. And I love it.




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