Showing posts with label beethoven. Show all posts
Showing posts with label beethoven. Show all posts

Monday, January 13, 2014

A Heavy fifth . . .

(from http://www.planetmellotron.com/revd2.htm)
"Dark Side were, essentially, a continuation of Baltimore's avant-gods OHO, although the musical path they chose was utterly different. Imagine a 1980-style 'noo wave' band, with pointed, ironic lyrics, a scratchy, punkish approach to their playing and dollops of Farfisa all over everything, and you won't be too far out. They released one album, the now-so-rare-I-can't-even-find-a-cover-scan-on-the-'Net Rumours in Our Own Time, Legends in Our Own Room, which should probably have done an awful lot better than it did. Just think; what if The Cars had had brains? Decent enough material, although Back On The Streets clearly deliberately rips off (Sittin' On The) Dock Of The Bay, for some unknown reason. Mellotron on one track, Down The Tubes, with some background strings that don't really make that much difference.

As part of a general OHO reissue programme, the whole album was released on CD in 2005 as Odd Fellows on an Even Day: Anthology 1977-1995, expanded to double its original length. Y'know, you've got to really like this stuff to want to listen to an entire album of it... That's not to dismiss it in any way, however; it's good at what it does, just doesn't really hold the attention of one not into the style for over an hour."



Inspiration comes when, and from where you least expect it.   Listen to Oho trying out a heavy, Beethoven and Dark Side-influenced new piece containing several warts but with ample potential from a recent rehearsal . . .



The 5th
(working title references the musical quote from which it comes)
written by John P. Graboski
(OHO rehearsal recording-
Jay Graboski, David Reeve and Ray Jozwiak are OHO)







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Wednesday, April 20, 2011

Whenever. . .

. . . I get to feeling discouraged, or sorry for myself, I like to read things like. . .

Every part of the scheme shows that this man [George Stephenson] has applied himself to a subject of which he has no knowledge, and to which he has no science to apply. (Parliamentary Committee 1825)

Far too noisy, my dear Mozart. Far too many notes. (Emperor Ferdinand after the first performance of The Marriage of Figaro)

I liked your opera. I think I will put it to music. (Beethoven to a fellow composer)

If Beethoven's Seventh Symphony is not by some means abridged, it will soon fall into disuse. (Philip Hale, Boston music critic, 1837)

I played over the music of that scoundrel Brahms. What a giftless bastard! (Tchaikovsky's diary. 9th October 1886)

We don't like their sound. Groups of guitars are on the way out. (Decca Recording Company about the Beatles.1962)

These boys won't make it. Four-groups are out. Go back to Liverpool, Mr. Epstein, you have a good business there. (Recording Company)

I'm just glad it'll be Clark Gable who's falling on his face and not Gary Cooper. (Gary Cooper on his decision not to take the leading role in "Gone With The Wind")

They may be world famous, but four shrieking monkeys are not going to use a privileged family name without permission. (Frau Eva von Zeppelin)

He bores me. He ought to have stuck to his flying machines. (Auguste Renoir, on Leonardo da Vinci

This fellow Charles Lindbergh will never make it. He's doomed. (Harry Guggenheim, millionaire aviation enthusiast)

Very interesting, Whittle, my boy, but it will never work! ( Professor of Aeronautical Engineering at Cambridge University)

You will never amount to very much. (Munich Schoolmaster to Albert Einstein, aged 10)

Professor Goddard does not know the relation between action and reaction and the need to have something better than a vacuum against which to react. He seems to lack the basic knowledge ladled out daily in high schools. (New York Times about Goddard's revolutionary rocket work, 1921)

Stanley Matthews lacks the big match temperament. He will never hold down a regular first-team place in top class soccer. ( Unsigned football writer when Matthews made his debut at the age of 17)

Why do you necessarily have to be wrong just because a few million people think you are? (Frank Zappa)

Failed in Business, 1831. Defeated for Legislature, 1832. Sweetheart/Fiancee Died, 1835. Nervous Breakdown, 1836. Defeated in Election, 1836. Defeated for U.S. Congress, 1843. Defeated again for U.S. Congress, 1846. Defeated once again for U.S. Congress, 1848. Defeated for U.S. Senate, 1855. Defeated for U.S. Vice Presidency, 1856. Defeated again for U.S. Senate, 1858. (Abraham Lincoln, Elected President of the U.S.A., 1860)


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