Showing posts with label album. Show all posts
Showing posts with label album. Show all posts

Tuesday, June 30, 2020

The Music . . .





. . . is ALL accessible from the new and improved 'rayjozwiak.com' website.
Check it out, if you haven't already. Ten albums from 2003's Chromatose to No Frills, release in 2016.





Wednesday, January 10, 2018

Order . . .


(based upon https://www.quora.com/How-do-recording-artists-decide-on-the-order-of-the-songs-on-their-CDs)
There isn't a rule of thumb , but there is planning. Look at it as a Classical concert, grouping songs in "moods", then intentionally create longer pauses between the groups.

When Lou Reed was ordering the tracks on New York. He struggled to find the right musical and topical arc until someone suggested he put them in the order in which they were recorded. In that order, the tracks told the story he was hoping for. Y

In a traditional pop context, records were sequenced with the hits or prospective singles "up front" - typically the lead single would be the first song and the other expected singles would follow to round out the first side. 

Some try to make sure that successive songs are not in the same key.

The number one track (and usually the last) are the 'great' tracks that leave an impression.

If it's a concept album that tells a story through the songs, then the order is pretty much fixed to begin with. If it is just a collection of singles, they might look at the dynamics - try and mix up the heavy and the soft, the fast and the slow, etc.

Put a lot of thought into the order of the songs to create a good “flow” and the best overall listening experience from start to finish. Open with a song that represents your overall sound fairly well, and break up the “mood” every 3 songs or so. 

The whole process is just about placing familiar tracks somewhere in the middle, intros and soon to be released tracks at the beginning and the less appealing at the end - it's about fluidity and using the songs at the beginning as singles as they help sell the album.

It's given a lot less thought than it used to. Nowadays most albums are bought online and when you download it you can put it in any order you want. If you are like me you will put your favourites first and the fillers at the end. Another thing to come into it is the shuffle mode on most players nowadays.






What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


Other Ray Jozwiak Offerings

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/Artist/RayJozwiak)

Get your copy of OHO's  Where Words Do Not Reach now!
Watch The Ocean City Ditty Video on YouTube
Also, be sure to visit: www.rayjozwiak.com and www.ohomusic.com


Friday, March 3, 2017

Congratulations . . .


Congratulation! Your album, or an album that you were affiliated with, Words Do Not Reach (the Instrumentals), has been nominated in this year's Just Plain Folks Music Awards! If you missed it, you can find your name in Albums and/or Songs (check both) at this link:

http://www.jpfolks.com/2017awards.php

Please feel free to ask me or JPF any questions you have on FB at @justplainfolks or to our Founder Brian Whitney directly. I'm a fellow JPF Awards nominee volunteering to track down folks like yourself.
2017 Song Nominees - Just Plain Folks





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 

My latest solo offering, No Frills, is now available at - No Frills

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/Artist/RayJozwiak)

Get your copy of OHO's  Where Words Do Not Reach now!
The Ocean City Ditty Video is now on YouTube
Also, be sure to visit: www.rayjozwiak.com and www.ohomusic.com


Monday, February 20, 2017

Nomination . . .


(from https://www.facebook.com/ohomusic)
OHO's instrumental version of "Scared Money (Don't Win)" from their all instrumental album, Where Words Do Not Reach, is a nominee for Best Instrumental Rock Song for this year's JPF Awards (Just Plain Folks). And this song, one of the finalists culled from 17,400 albums and 240,000 songs.Not the Grammies...but something. http://www.jpfolks.com/2017awards.php?

OHO Always great to be acknowledged. Piqued my memory of overhearing a gambler say, "Scared money don't win," then going home and writing a song about taking risks. Former OHO engineer and bassist, Steve Carr, made a stripped-down mix (sans vocals) for our audition for the Star Search TV show back in 1989. The singers had to sing live over this backing track while the band pretended to play instruments (for those of you who have the Bricolage CD/DVD set, you may view our performance of this song on that DVD. Thanks to Bennett Davis' creativity, he was able to match the master with the VHS soundtrack and improve the fidelity significantly.) Later, when assembling the program featured on 2015's "Where Words Do Not Reach" album, since there were no instrumentals by this version of the band (1985-1992), I retrieved the master of this very version from our archives and overdubbed an instrumental (guitar) version of the vocal melody line a la The Ventures, employing a sustainor-pickup-equipped Fernandes Elite model through the "Bloody Finger" distortion pedal. Voila! Who woulda thought this would be a contender? Nothing ventured, nothing gained. Orchids to the band.

Scared Money (Don't Win)
by OHO
from Where Words Do Not Reach




What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 

My latest solo offering, No Frills, is now available at - No Frills

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/Artist/RayJozwiak)

Get your copy of OHO's  Where Words Do Not Reach now!
The Ocean City Ditty Video is now on YouTube
Also, be sure to visit: www.rayjozwiak.com and www.ohomusic.com


Thursday, February 4, 2016

Works . . .


(from Jay Graboski at https://www.facebook.com/ohomusic/?fref=nf)
". . . So much in the works for the next OHO album: tomorrow into The Bratt studio to "fiddle about" with Ray's "3rd Hand Intelligence." In the queue are "Where Is How We Go" (lyrically based on the Guitar Craft aphorism: "Where we're going is how we get there"; "Plunge" (originally recorded by The Weaszels), David's "The One"...and new arrangements of "Your Luck Is Awake" (from "UP") and a 3/4 time version of "Lost & Found" from "Audition." These are in addition to the "Ahora!" suite, Ray's "Blood Brother" and other tunes that are in the process of revealing themselves. So many songs...so little time. . . "


Where Is How We Go
by Jay Graboski, in progress mix February 2016




What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 

Get your copy of OHO's  Where Words Do Not Reach now!

The Ocean City Ditty Video is now on YouTube

My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:
http://www.rayjozwiak.com



 PIANOGONZOLOGY - Blogged My 
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Friday, January 8, 2016

Other . . .

. . . notable 'Untitled' songs. . .


(from https://en.wikipedia.org/wiki/Untitled)
"Untitled", by The Smashing Pumpkins, from the album Rotten Apples
"Untitled", by Blink-182, from the album Dude Ranch
"(Untitled)", by Marilyn Manson, from the album Smells Like Children
"Untitled", by Brand New, from the album The Devil and God Are Raging Inside Me
"Untitled", by Collective Soul, from the album Collective Soul
"Untitled", by Crash Test Dummies from the album God Shuffled His Feet
"Untitled", by The Cure, from the album Disintegration
"Untitled", by Stellastarr, from the album Stellastarr
"Untitled", by Dance Gavin Dance, from the album Downtown Battle Mountain
"Untitled", by Eminem, from the album Recovery
"Untitled", by Finch, from the album What It Is to Burn
"Untitled", by Fuel, from the album Sunburn
"Untitled", by The Gazette, from the album Toxic
"Untitled", by Interpol, from the album Turn on the Bright Lights
"Untitled", by Neutral Milk Hotel, from their album In the Aeroplane over the Sea
"Untitled", by O.A.R., from the album Soul's Aflame
"Untitled", by Orbital, from the album Orbital
"Untitled", by The Panic Channel, from the album One
"Untitled", by Pearl Jam, from the album Live on Two Legs
"Untitled", by Pig Destroyer, from the album Phantom Limb
"Untitled", by R.E.M., from the album Green


Un-Tie-Teld
©2005 Raymond M. Jozwiak
Live, solo piano performance by Ray Jozwiak





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 

Get your copy of OHO's  Where Words Do Not Reach now!

The Ocean City Ditty Video is now on YouTube

My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:
http://www.rayjozwiak.com



 PIANOGONZOLOGY - Blogged My 
Zimbio

Sunday, December 27, 2015

Words . . .


Us:  ". . . here's a short, fun one from the next OHO album (Male Pattern Radness). Begun in 1994 at Steve's, inspired by Joseph Campbell and the movie, The Witches of Eastwick...finalized at Bill's. . ."

Them:  ". . . I get a very close Frankincense olfactory reaction….:). . .

Us:  ". . . (we'll)  interpret this as being a favorable response. . ."

Them:  ". . . I do like it, but wonder if this mix doesn't try a little too hard. . . Yes! A favorable response! Frankincense has an aroma that calls attention to itself. It demands your attention and can not be ignored. Accordingly, this song is very much "in your face.

From Wikip: "Boswellia sacra trees are considered unusual for their ability to grow in environments so unforgiving that they sometimes grow out of solid rock. Frankincense is derived from these trees." That, my friend, is determination!. . ."

Us:  ". . . Thanks. . ."


Pianogonzology: Sub . . . http://pianogonzology.blogspot.com/2015/12/sub.html?spref=tw

Wednesday, October 28, 2015

Like . . .


I would like to send you OHO's latest album via WeTransfer for airplay on PRM.  'Where Words Do Not Reach' is an archival collection of OHO's instrumental works dating back to 1974 and ending with a couple of new tunes. For the more adventuresome listener there is a lot to appreciate here starting with the intense album opening "Board Organ" where furious drumming, off kilter keyboards and fiery guitar run amok in an all-out progressive psychedelic jam. "Nocturnal Recurrence" is another solid track and very heavy on the keyboards while "Albumblatt" is an excellent all acoustic guitar number with impressive fret work from O'Sullivan and serves as a nice reprieve from the previous chaos. "Motion of Motion" is another fine acoustic guitar piece followed by the much heavier "Snow Lady/I Crawled" where the band's eclecticism shows up in the form of wild keyboard sounds and a somewhat darker theme. The band continues its genre hopping with the pop inspired "Aubrey Circle Dance" and the feel good country grooves in Non-Sex Nonsense". The album ends with two new tracks, "Slough of Despond" and "Unique", both having a more refined sound with the latter featuring mostly piano and Graboski's treated guitar chords. Where Words Do Not Reach covers a wide range of styles and sounds, enhanced by the band's eclectic arrangements and tuneful songwriting.  Please visit www.ohomusic.com


Unique
from Where Words Do Not Reach by OHO (2015)





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak.  Please Visit http://www.ohomusic.com 


My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:
http://www.rayjozwiak.com



 PIANOGONZOLOGY - Blogged My 
Zimbio

Tuesday, March 4, 2014

To Dude Or Not To Dude . . .

. . . is that really a question? . . . anyway . . .



Created by Hailey Boyle on January 31, 2014
LOS ANGELES, CA Creative Arts, Music, Film
The Basics: After 11 years I am finally recording a comedy album. "FUNNY LIKE A DUDE" will be recorded live at The Glasgow International Comedy Festival this March (details below) and will be released in May 2014. Meanwhile I have theater rentals for the previews, sound guy, video guy, editing guy, plane tickets, train tickets, and maybe if I'm real lucky a shirt off the clearance rack with no holes in it. So if you know you want my album you can donate now, and when it comes out I send you the greatest comedy album of all time! Basically it's like when I wanted to make shirts. That worked out awesome by the way, thank you guys! I am much more financially stable now that I have shirts to fluff up my income on the road and I could not have done it without your generosity.
Lots of folks have asked me why I don't have an album already. The answer is because I want all of my albums to be kick ass. 1 hour of material doesn't necessarily mean 1 album for me. Lately as I have more chances to headline and I realized that my favorite jokes, the ones I really love, now run about an hour and 15 minutes or more. So now is the time. Like to over analyze stuff? Me too! That's why I wrote the next few paragraphs, so enjoy.
The Back story: I think the reason so much of my new material is becoming my favorite material is because I am at a really cool phase in my life. I am old enough now that people are no longer wondering when I'm gonna have a baby (never), or when I am getting married (it doesn't matter cause you're not invited anyway), and it has been ages since somebody tried to talk me into going back to college. It's a great time to be me huh? I also feel like the last year has been a big one as far as starting to comprehend my own personal responsibility for the impact of my comedy. Now I'm using my brilliant dick jokes to change the world for the better. Also I may be suffering from delusions of grandeur. But speaking of personal responsibility, I should probably explain the album title.
I'm calling the album FUNNY LIKE A DUDE because that has been my little slogan since I started comedy. It has always said FUNNY LIKE A DUDE SINCE 1979 on my business cards. It's a tricky little phrase. It's not very feminist, a fact I have been side stepping by being a dick about it. "It's a statement ON feminism" I would say like a giant gaping asshole, "but forgive yourself, it is very subtle". Spoken like a true self loather. I know I haven't always been fair to women, and I am working on that. I also know that I don't believe that separate can ever be equal. Take the WNBA. I have nothing but respect for those women, but it's not fair to pretend it's like the NBA. The NBA, not the MNBA. I just feel like the job is the job and the bar should be the bar. Gender should be irrelevant. I don't know how many, if any of the women of the WNBA would be in the NBA if they were eligible, but I bet the number would grow in relation to the number of years little girls grew up believing they could be in the NBA. BOOM! Mind blown. Back to me. Right now the most common compliment I get as a comic is that I have met/exceeded the expectations the complimentor has for men. I didn't think women were funny but you were hilarious. You are my favorite female comic. It's a catch 22! On one hand I get mad at them for saying female, not comic, and on the other hand I'm mad at me for feeling like female is an insult. Those are both bad, dirty hands. When I moved to NYC to be a comic 10 years ago I learned fast that if I wanted to get on a show the fastest way was to say I was funny like a dude, thus saying I am actually funny, and probably won't complain about your sexism as I am also a sexist. Not very cool on my part, not very cool on societies part, not fair to the women who came before or will come after me. It's all around lame that those words that got me the chance to show that I am truly talented probably cost other women the chance to show what they can do. This year has been about a shift for me. From a woman that thought standing up for myself was enough, to a woman who thinks standing up for equality is more important than protecting herself. It is a process, and I have just begun. At first I thought that being a feminist meant I had to support all women, be on the side of the sisterhood or what have you. Turns out feminism is really just another word for equality and I know I like that. I don't have to like all women to be a feminist, I have to respect all life. I have to make an effort not to perpetuate the behavior I have been a victim of. I have to try to be fair, which does not come natural for me. I have spent 34 years looking down on other women, and to be perfectly honest, it is still my default setting. Luckily some terrible things happened this year and for the first time I had to look at my roll in making the world less fair, less just, and less productive. I wrote a blog you can read here http://haileymailogram.wordpress.com/ and got a lot of crap for it. I got rape shamed and called a bunch of names but I also started being a better citizen because of it. I have a long way to go just to fix myself, but I'm hoping since the whole thing is making for some great jokes that my "journey" if you will, could inspire some other folks to start trying to do better themselves. Pretending I am a perfect feminist or that I have always been one doesn't help anybody. Admitting that it is a struggle and I have to work at it just might do some good. So the album is called FUNNY LIKE A DUDE cause I have been saying it for 11 years and now I am gonna talk about it instead of pretending it never happened.
The taping itself will be on Saturday March 22nd at The Glasgow International Comedy Festival. This is my third time touring Scotland and Glasgow happens to be my favorite city in all the world to do comedy. I'm told that this is odd because it is mainly industrial and known as the stabbing capitol of the world, but I feel very happy there indeed. I love the comedy community there and the way people regard comedy as an art and a skill, which it is. When I got booked for this festival the first time I had lost faith in my ability. I felt that as a woman who lacked extreme sex appeal I had no place in the world and I would even say that booking saved my life. It seems perfectly fitting now that my first album should be recorded in Glasgow, surrounded by the very women that reminded me that being female doesn't mean anything outside a medical office unless I believe it does. Thank you so much for your support!Additional dates and cities TBA





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html 

OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4 (and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD). 

My latest solo release, Black & White Then Back,
can be downloaded digitally at:

Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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Sunday, February 23, 2014

Soft . . .

. . . Machine

Robert Wyatt was a founding member of the Soft Machine, who along with Pink Floyd Helped to transform the late sixties psychedelic scene in the UK into something more lasting. Through successive albums, Soft Machine soon moved toward a more jazz-based fusion with rock music, punctuated by Wyatt's distinctive drumming and vocals, attracting a massive following across Europe. After extensive touring, Wyatt left intending to pursue a solo career, but instead assembled Matching Mole who released two critically acclaimed LP's before disbanding prematurely. In 1973, Wyatt fell from a third floor window during a party, leaving him paralysed from the waist downwards. From that day onwards he has concentrated his efforts into solo recordings, mixing simple and effective keyboard melody lines with poignant lyrics, often filled with personal and political references. The results have proved both haunting and reflective, even producing two chart hits - his 1974 re-working of 'I'm a Believer', and the 1983 Falklands War indictment 'Shipbuilding' written especially for him by Elvis Costello.





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:

Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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Saturday, August 24, 2013

Connection. . .

. . . maybe. . .


In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of (Joseph) Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package.






What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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